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 Äîñòàâêà ïîêóïêèÊóðüåðîì ïî ÌîñêâåÊóðüåðîì ïî Ñàíêò-Ïåòåðáóðãó Ïî÷òîé ïî Ðîññèè Ïî÷òîé çà ïðåäåëû Ðîññèè Íà ñêëàäå ïîñòàâùèêà: åñòü
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Cîäåðæàíèÿ ðåëèçà
ÒÐÅÊ-ËÈÑÒ:
1.The Web
2.Things Are Never Simple
3.Full Moon, Hungry Sun
4.Run Rings
5.What's Wrong?
6.The Canyon Her River Carved
7.It's Fine
8.You Think
9.She's Appealing
10.Never Kissed a Blonde
11.Scarlet King Magnolia
Limited vinyl LP pressing. 2016 release from the New Zealand-based psych pop artist. Blue Cheese picks up on the rough disaffection of his earlier demo collection, A Pebble and a Paper Crane, which he recorded in a WWII bomb shelter in Germany. Back in his hometown of Dunedin, New Zealand, Strang spent two curious months alone, housesitting for his parents. Re-nested, yet still isolated, Strang composed all of Blue Cheese over those quiet days. Lead-off track ‘The Web’ channels pummeling bass lines punctuated by a twinkling synth that calls upon microscopic pop principalities of restlessness. Its abrupt ending parallels Strangs own disconnect. ‘She’s Appealing’ weaves Day-Glo guitar motifs into distant, detached ‘80s garage pop vocals. ‘Never Kissed a Blonde’ is driven by a slapping delay on both vocals and guitar. Strang’s path toward a melody is always surprising, and he never misses a hit-on-the-head-obvious-in-retrospect memorable line.
1.The Web
2.Things Are Never Simple
3.Full Moon, Hungry Sun
4.Run Rings
5.What's Wrong?
6.The Canyon Her River Carved
7.It's Fine
8.You Think
9.She's Appealing
10.Never Kissed a Blonde
11.Scarlet King Magnolia
Limited vinyl LP pressing. 2016 release from the New Zealand-based psych pop artist. Blue Cheese picks up on the rough disaffection of his earlier demo collection, A Pebble and a Paper Crane, which he recorded in a WWII bomb shelter in Germany. Back in his hometown of Dunedin, New Zealand, Strang spent two curious months alone, housesitting for his parents. Re-nested, yet still isolated, Strang composed all of Blue Cheese over those quiet days. Lead-off track ‘The Web’ channels pummeling bass lines punctuated by a twinkling synth that calls upon microscopic pop principalities of restlessness. Its abrupt ending parallels Strangs own disconnect. ‘She’s Appealing’ weaves Day-Glo guitar motifs into distant, detached ‘80s garage pop vocals. ‘Never Kissed a Blonde’ is driven by a slapping delay on both vocals and guitar. Strang’s path toward a melody is always surprising, and he never misses a hit-on-the-head-obvious-in-retrospect memorable line.
Ñ ýòèì òîâàðîì ïîêóïàþò
